THE MT VOID
Mt. Holz Science Fiction Society
06/07/02 -- Vol. 20, No. 49
El Presidente: Mark Leeper, mleeper@optonline.net
The Power Behind El Pres: Evelyn Leeper, eleeper@optonline.net
Back issues at http://www.geocities.com/evelynleeper
All material copyright by author unless otherwise noted.
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Topics:
Books of Numbers (comments by Mark R. Leeper)
THE SUM OF ALL FEARS (film review by Mark R. Leeper)
===================================================================
TOPIC: Books of Numbers (comments by Mark R. Leeper)
I see there is a new book from Princeton Press called THE STORY OF
SQUARE ROOT OF MINUS ONE by Paul Nehin. The price of the book is
a pretty impressive number also, $29.95 for 257 pages. That is
more than a dime a page. This seems to be the new trend in books
for the general public about mathematics, to take one famous and
(dare I say it) popular number and to write a whole book about it.
It seems a little stingy to me. When I was in college I paid $22
for a real analysis textbook and it was about a whole lot of
numbers. But nowadays the trend is to charge more and give cover
just one number in detail. I find it interesting that a number
gets treated as it if is a celebrity.
Amazon.com lists no less than four books about pi and its history
and its uses. They sport the thrilling titles PI: A SOURCE BOOK,
THE JOY OF PI, HISTORY OF PI, and my favorite, PI UNLEASHED. I
wonder if that is on a double feature with HERCULES UNCHAINED?
Somehow I can't really imagine pi has ever been leashed. I am
sure that is not all the books about pi out there. I hope they
are at least really and truly about pi perhaps in just the way the
film PI was not.
Is pi not your lucky number? (Actually it probably is without
your realizing it, but I won't go into that.) Then there is e as
chronicled in e: THE STORY OF A NUMBER. And zero. I discover an
old friend of mine, Matt Zimet, was the illustrator on another
book ZERO: THE BIOGRAPHY OF A DANGEROUS IDEA. And of course there
is the book that started this tirade, THE STORY OF SQUARE ROOT OF
MINUS ONE by Paul Nehin.. These books generally go for the $30
range because the numbers they are about are the celebrities of
the number world. These numbers have their legions of loyal fans
and their books can demand big prices. Actually there is also
something of a cult following for the Golden Ratio and there are
somewhat cheaper books about it including THE DIVINE PROPORTION, A
MATHEMATICAL HISTORY OF THE GOLDEN NUMBER, and GOLDEN SECTION.
These books go considerably cheaper generally though one publisher
is gambling that this number is popular enough with its fans to
charge $39 for THE GOLDEN RATIO AND FIBONACCI NUMBERS. There is,
of course, a big time overlap in the fandom of the Golden Ratio
and the fans of the Fibonacci Sequence. (If you don't already
know why you REALLY don't want me to go into that right now.
Suffice it to say that phi is the favorite number of Fibonacci
Sequence fans.) But these are the giants among numbers. These
are the immortal numbers that will be remembered long after you
and I are gone.
This may seem like a lot of books, but it is still relatively few
numbers sharing the limelight. When is the last time you saw a
book with a name like THE HISTORY AND LORE OF 213? Or maybe 5872.
The set of numbers that have gotten the adulation and attention
sufficient books or even articles about them is still a set of
measure zero. People tend to be prejudiced in favor of numbers
near very zero. In fact I have never seen an entire book devoted
to a single number whose magnitude is more than 4. At least not
in the field of mathematics. The small numbers are the numbers
people have known since they were young and they are the numbers
people feel most comfortable with. I suppose in chemistry there
is some attention paid to Avogadro's Number, but I doubt if there
is a single book devoted to the subject. When you are looking at
mathematical properties, most people do not feel comfortable with
numbers greater than the number of fingers they can see on one
hand. You have heard it observed that all politics is local? The
same can be said in spades for numbers. Considering how big most
integers are you realize even experts and astronomers deal with
only the very smallest. There are numbers so high only dogs can
hear them but for a number to be popular it has to be less than
five. (Exercise to the reader: how big are 99.9% of all integers.
Or put another way, how big can an integer be and still be
considered to be in the smallest 0.1% of all integers?)
Let me head this one off before it starts. I would expect someone
would write me and say that they are reading a book about a very
large number indeed. They are reading about INFINITY. Wow!
Well, first of all infinity is not a number at all. It is a
cardinality. It is the measure of the size of a set. That makes
it a count not a number. Infinity is the count of items in a set
that has too many elements to have an integer for a count. And I
want you to know that it is just this attitude that is killing
America. We are talking about real numbers here, not
abstractions. These are numbers that it takes a while to count up
to and think about. Now some punk comes along and with no effort
wants to jump to what he thinks is the biggest number of all and
trump any number I have talked about. Well, I will tell you right
now that it isn't going to work. It is just this attitude, this
win-without-playing go-to-the-head-of-the-line attitude that is
what people hate about Americans. It is the Koboyashi Maru all
over again. [-mrl]
===================================================================
TOPIC: THE SUM OF ALL FEARS (film review by Mark R. Leeper)
CAPSULE: Tom Clancy's mammoth novel about nuclear terrorism comes
to the screen. This is probably the least complex of the Ryan
films to date, but it is the most tense and dramatic. SUM is a
whirlwind of a film with some all too possible nightmare scenarios
of nuclear terrorism. The more than usually James-Bond-like
counter-tactics of Jack Ryan are neither fully convincing nor
reassuring. Rating: 7 (0 to 10), +2 (-4 to +4). I will avoid
major spoilers making this a less informative review than it might
be. There are some cryptic minor spoilers.
We are starting our fifth decade of the James Bond films, the
first film series about intelligence and spies (with the possible
exception of the Universal Sherlock Holmes films). Bond, however,
is not the most satisfying main character because he never fails
and only in DR. NO and one quick sequence of ON HER MAJESTY'S
SECRET SERVICE does his self-confidence ever seem to flag. Some
viewers want more realistic scenarios. The super-villains who
want to unilaterally start wars and cataclysms were not seriously
in evidence in the real world until the 21st century. For more
believable spies and scenarios it seemed at the time one had to
turn to Harry Palmer, George Smiley, and eventually Jack Ryan.
Actually the fourth Jack Ryan film, THE SUM OF ALL FEARS,
superficially has a lot of similarities to a James Bond sort of
story. One does not have to look very hard to find in the plot
surprising parallels to aspects of the films THUNDERBALL and THE
SPY WHO LOVED ME as well as the non-Bond film BLACK SUNDAY. The
villain's strategy may be borrowed from S.P.E.C.T.R.E. and the
smart Siamese Fighting Fish in FROM RUSSIA WITH LOVE. But it
would be just as easy to miss these resemblances because the style
of a Jack Ryan story is so different. The Clancy stories have a
great deal of convincing detail about American intelligence and
the military. The new film has a super-villain whose plan is
right out of a Bond film, but he is shown with the verisimilitude
of a Clancy character. And probably for the first time we are
seeing it with the sadder but wiser knowledge that such people
really do exist.
Our story opens in 1973 Yom Kippur War with an Israeli plane
bearing one nuclear bomb, just in case it is needed. The plane is
shot down over Syria, however, and breaks up in the air. In 2002
a scavenging junk dealer finds the wreckage of the plane and the
bomb. Meanwhile Jack Ryan is now the new analyst at the CIA.
Ryan new at the CIA? Well, in a sense they are starting the
series over with a younger Jack Ryan. Alec Baldwin played Ryan
once in THE HUNT FOR RED OCTOBER; Harrison Ford did it twice in
PATRIOT GAMES and CLEAR AND PRESENT DANGER. Now Ben Affleck
assays the role. He may have been chosen for reasons other than
that he exhibits Jack Ryan qualities. Actually, he seems to be a
bit young to have the respect that he gets from foreign
dignitaries. He seems to have been chosen to give a youthful
image to the teen audience who does not like their heroes too
well-aged. Also, Affleck can probably play the role for a good
long time before he looks too old for the part. Hopefully by then
he will have better grown into the role.
At the CIA Ryan is the precocious and headstrong young kid with
ideas of his own who wins grudging admiration from his bemused
boss and mentor Bill Cabot (Morgan Freeman). Meanwhile back in
Syria our junk dealer is selling his bomb to a neo-Fascist who has
some good ideas how to use it. (I am told that in the book it is
NOT a neo-Fascist, but neo-Fascists are unlikely to complain if
they are made the villains in this sort of film. In fact, even if
using them somewhat degrades the logic of the story they probably
rather enjoy being made the baddies. The Middle East connection
has been minimized because the subject matter was probably
considered already topical enough.)
Meanwhile in Russia a new president, Alexander Nemerov (Ciaran
Hinds), has come to power and is responsible for a chemical attack
in Chechnya. Ryan rather likes Nemerov and guesses that Nemerov's
taking responsibility for the atrocity is political rather than
factual. Nobody at the CIA or on the President's staff agrees.
I assume that in the rather long novel, all these things happen a
bit less simultaneously. However, after this events start
happening even faster and even faster. If you think that was bad,
from this point on it's just one damn thing after another. But
only at the end do things boil over the top of plausibility. Jack
Ryan has to do some fancy and complex detective work if he is
going to avert a major disaster.
The script by Paul Attanasio (QUIZ SHOW and SPHERE) and Daniel
Pyne (PACIFIC HEIGHTS) is fast-paced, but rather than being
exciting, it turns up extremely dark and grim. One novelty scene
involving cell phones seems borrowed almost directly from THE
SEIGE. The Jerry Goldsmith score features some decent choral
pieces and does its job, but the musical centerpiece is not
original and will already be familiar to opera fans. It is
Puccini's exquisite "Nessun Dorma" from TURANDOT. The villain may
be an inhuman slimeball, but he surely has good taste in music. I
wonder what they are saying by making him an opera fan?
Morgan Freeman always adds a touch of dignity to any role he
takes. Sadly, everything else he does for this role he also does
for any role he takes. I have mixed feelings about him as an
actor since I love this character he plays, but he plays it in
every single film he is in. Do you have any other personalities
inside you, Mr. Freeman? James Cromwell takes the role of the
President with sufficient dignity if not much grace. Liev
Schreiber plays the closest thing to an action operative in this
film. I do not think of him as an action actor so it is a
pleasure seeing this from him. Philip Baker Hall, like Freeman,
always plays the same great character in every film, but has not
done it so frequently as Freeman so it is a little more
acceptable.
This is an exciting film but don't expect to leave the theater in
an up mood. THE SUM OF ALL FEARS might be a little more fun if a
little less of it was so possible and even likely. The scariest
parts of the film are probably the reminders of what you have
learned about the world in the last twelve months. I rate THE SUM
OF ALL FEARS a 7 on the 0 to 10 scale and a +2 on the -4 to +4
scale. [-mrl]
===================================================================
Mark Leeper
mleeper@optonline.net
Power operates only destructively, bent always on
forcing every manifestation of life into the
straitjacket of its laws. Its intellectual form
of expression is dead dogma, its physical form
brute force. And this unintelligence of its
objectives sets its stamp on its supporters also
and renders them stupid and brutal, even when they
were originally endowed with the best of talents.
One who is constantly striving to force everything
into a mechanical order at last becomes a machine
himself and loses all human feeling.
-- Rudolph Rocker
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