THE MT VOID
Mt. Holz Science Fiction Society
02/13/04 -- Vol. 22, No. 33
El Presidente: Mark Leeper, mleeper@optonline.net
The Power Behind El Pres: Evelyn Leeper, eleeper@optonline.net
Back issues at http://www.geocities.com/evelynleeper
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Topics:
It Feels So Good When I Stop (comments by Mark R. Leeper)
Las Vegas (yet more comments by Mark R. Leeper)
This Week's Reading (DEADLINES PAST, THE SEASON)
(book comments by Evelyn C. Leeper)
===================================================================
TOPIC: It Feels So Good When I Stop (comments by Mark R. Leeper)
Many of you have tried the Japanese delicacy of sushi. You may
have noticed the fiery horseradish-like paste that is used to
spice it, wasabi. Actually it is more closely related to mustard
than horseradish. The Japanese use it very sparingly, but
Americans seem to like the effect and use more than the Japanese
would.
The real purpose of wasabi, I recently realized, is give the diner
for a just few seconds the exact sensations and physical effects
that are the symptoms of having a very painful and acute head
cold. For some reason people like just a few seconds of the same
symptoms that if they lasted longer would be considered a very
uncomfortable malady. Some of us must like to suffer for just a
an instant if then they have the control to come out of it.
[-mrl]
===================================================================
TOPIC: Las Vegas (yet more comments by Mark R. Leeper)
I am continuing on my commentary on Las Vegas talking about some
of the bargains I like.
When we go to Vegas we usually stay at the Luxor. This is a
fabulous pyramid of a hotel with an Ancient Egypt theme for decor.
Even the elevators seem lined with stone tablets to give the feel
of ancient Egyptian elevators. (My, the Egyptians did marvelous
things with sand, didn't they?) You can find your way there at
night because it has a huge beacon aimed upward from the peak of
the pyramid. It creates an interesting optical illusion. We see
the stars directly overhead as being closer than those at the
horizon because we have no benchmarks to measure the distance
overhead. The sky looks like an inverted dish with the center
much closer to you than the edge. It is the same effect that
makes the moon look much bigger when it is on the horizon than
when it is straight up. The dust and water vapor (there is some
even in the desert) in the air in the path of the beacon is
illuminated and we see it at a distance, but our minds interpret
it as being projected into the top of the dish. It looks like it
goes to a point almost right overhead since the horizontal
distance to the column is much less than the vertical distance.
The beam looks almost horizontal and right over your head wherever
you are outside at night. It gives the almost mystical effect
that the beam is following you around.
For a while the Luxor was King (Pharaoh?) of the Hill in Las Vegas.
Then someone built a more fantabulous casino and it became just one
of the majors. It is still luxurious, but now it is also an
inexpensive place to stay. Luxurious and inexpensive is a pretty
good combination. During the week we get a fancy room for $69 a
night. That is competitive with the price of a Motel 6. I note,
however, one minor luxury has gone away. The bath soap in the
ornate bathrooms used to have sesame seeds embedded in it to make
it more fancy. I don't know what the seeds are doing in the soap,
but apparently is made the soap seem more fancy. Apparently the
customers did not realize this was there to impress them. You are
in big trouble when your customers do not understand your soap.
Now there are no longer seeds in the soap. But the bathrooms are
still very nice. That luxury costs only $69 a night during the
week.
There is plenty of free entertainment for those who walk around.
You can watch people gamble and that is almost a study in itself.
You can watch the fake volcano explode every hour over at the
Mirage. It has always been the popular sixth-grade science class
project, making a volcano, but here it is done on a huge scale.
Everyone likes natural fireworks (if they don't get too close).
The Sirens of Treasure Island have replaced the pirate battle,
which to me sounds like a mistake. Sirens are just not
spectacular as a rule. I don't know what the siren show is yet,
but the pirate battle was fairly impressive, including a sinking
ship, all done large scale outside the casino. I think with the
sirens they have thrown a little bit of sex. For those of a
gentler nature there is the ballet of water streams at the
Bellagio, played to sumptuous Italian music.
Everybody has his or her favorite bargain in Las Vegas. Some
things are very expensive, but there are always good purchases
hanging around. They are like loss leaders in grocery stores.
The Luxor keeps its prices down in the hopes people will come and
while here they will gamble. And they are right. Some people
will. They are well aware that there are people like the Leepers
who come and stay at their hotel and do not gamble, but enough
people will use the casino and the house odds say enough of these
people will lose that overall the Luxor's money-making machine
works. They know that they could make more money if they could
get rid of parasites like the Leepers, but there is no easy way
for them to do that. They are content to let the gamblers
subsidize both the owners and us parasites. (I would like to take
a moment and thank the poor schmucks who sit down in that casino
7x24x365 (7x24x366 this year) feeding their dollars into those
machines and, in part, paying to keep my vacation nice and cheap.
Have a good time. Enjoy losing lots.)
I will have more of my favorite bargains next week. [-mrl]
===================================================================
TOPIC: This Week's Reading (book comments by Evelyn C. Leeper)
Walter M. Mears's DEADLINES PAST is the reminiscence of Mears's
forty years covering American Presidential campaigns and
elections. I suppose I found it particularly interesting because
these elections are precisely the ones I remember (I was ten years
old in 1960). But certainly his descriptions of some of the older
campaigns and how they differ from the current ones would be of
interest even if you don't remember them. The "informality" of
the earlier campaigns, done on buses with no security staff (or
often any staff) to speak of contrasts sharply with the structure
of today's campaigns. And this period is also that of the rise of
television as a major force. Mears had to rely on his memory for
what wasn't archived in his columns, however. He explains in his
introduction that he didn't think it was important to keep his
notebooks, but strongly encourages young reporters not to make the
same mistake. (This may be an unnecessary warning: I was under
the impression that the notebooks serve as primary documentation
for the facts of a story, and the newspaper or magazine would
probably insist that they be kept for several years any way.)
In 1967, William Goldman decided to write a book about the
Broadway theater by covering everything that was opening in the
1967-1968 season, and he called the book (not surprisingly) THE
SEASON. As part of discussing the various plays, he also explains
what producers do, how plays are put together, how theaters are
selected, how tickets are sold, and so on. Or rather, how these
things *were* done back then, thirty-five years ago. At the time,
for example, theaters were just starting to allow credit card
purchases of tickets (rather than requiring cash at the box
office). Goldman seems to have correctly predicted that the
audience demographic was changing, and that the theaters did not
seem to want to try to re-capture the people they were losing.
The only drawback to the book might be the unfamiliarity of
readers with most of the plays discussed (although Goldman's
comments on "homosexuals in the theater" seem glaringly dated).
[-ecl]
===================================================================
Mark Leeper
mleeper@optonline.net
If I had a hammer
I'd hammer in the morning
I'd hammer in the evening
All over this land.
I'd hammer out danger.
I'd hammer out a warning.
I'd hammer out love between
My brothers and my sisters
All over this land.
--L. Hays and P. Seeger
When all you have is a hammer,
everything looks like a nail.
--Anonymous
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