Mt. Holz Science Fiction Society
04/23/21 -- Vol. 39, No. 43, Whole Number 2168
Co-Editor: Mark Leeper, *mleeper@optonline.net *
Co-Editor: Evelyn Leeper, *eleeper@optonline.net *
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Topics:
SF Author Talk at Old Bridge (NJ) Library
Mini Reviews, Part 14 (HILLBILLY ELEGY, THE PAINTED BIRD,
THE PERSONAL HISTORY OF DAVID COPPERFIELD) (film reviews
by Mark R. Leeper)
Space News (comments by Gregory Frederick)
People of Color (letters of comment by Fred Lerner, Kevin R,
Scott Dorsey, Dorothy J. Heydt, and Gary McGath)
LOST HORIZON and Rapid Aging (letters of comment
by Gary McGath, Scott Dorsey, Dorothyt J. Heydt,
Kevin R, and Tim Merrigan)
This Week's Reading (Hugo Award finalists) (book comments
by Evelyn C. Leeper)
===================================================================
TOPIC: SF Author Talk at Old Bridge (NJ) Library
There will be a two-hour Zoom talk May 1 at 2:00PM with SF author
Neil Sharpson (WHEN THE SPARROW FALLS). Details and sign-up are at
*https://www.oldbridgelibrary.org/events/2021-05/
https://www.oldbridgelibrary.org/events/2021-05/*. (This is a
library event, not the discussion group's.) [-ecl]
===================================================================
TOPIC: Mini Reviews, Part 14 (film reviews by Mark R. Leeper)
Here is the fourteenth batch of mini-reviews, this time of films
based on books.
HILLBILLY ELEGY: Directed by Ron Howard, this is based on the best-
selling novel of the same name. It keeps the viewer guessing about
where the story is going, in part because it is not told in
chronological order. Glenn Close plays the matriarch of the family
and completely disappears in the role. The theme is summed up by
one of her epigrams: "Family's the only thing that means a good
goddam." Released 11/24/20 on Netflix streaming. Rating: high +2
(-4 to +4) [-mrl]
THE PAINTED BIRD: Based on the Jerzy Kosinski novel, this film
shows a boy traveling across Eastern Europe in shortly before World
War II and seeing the cruelty of the peasants for one another.
Filmed in black and white in a naturalistic style, it has long,
slow, contemplative stretches. The title comes from a form of
entertainment of the peasants: they paint a bird with bright colors
and release it back into its flock, where the other birds peck it
to death. Available on Amazon Prime. Rating: low +3 (-4 to +4)
THE PERSONAL HISTORY OF DAVID COPPERFIELD: In this new version of
the Charles Dickens classic, the style is more modern than the
style of monochrome classic Dickens films from the Golden Age.
Also, it is harder to pierce the various accents. Usually one
expects with a Dickens tale to have a merciless look at his
society, and while here that is present, the atmosphere here
reaches more often for comedy. Fans of classic British
dramatizations will be delighted by some of the familiar faces in
this film. Released 08/28/20; available on various video-on-demand
streams, but not Netflix streaming or Amazon Prime. Rating: +1 (-4
to +4)
[-mrl]
===================================================================
TOPIC: Space News (comments by Gregory Frederick)
- NASA just selected the Space X design for their next lunar lander
for the upcoming Moon missions. Many thought that Dynetics had the
best design but NASA did not like that it was not flexible enough
for expansion and too expensive. The Lockheed and Blue Origin
(Jeff Bezo's company) design was also too expensive. Only Space X
was willing to go down enough to a lower bid and therefore they got
the contract. Space X's design also was flexible enough for future
changes to the craft. NASA's budget would not allow for more then
$2.9 billion in the initial phase of the contract and the other
companies would not go for that amount.
- NASA has announced that our next destination in the solar system
is the unique, richly organic world Titan. Advancing our search
for the building blocks of life, the Dragonfly mission will fly
multiple sorties to sample and examine sites around Saturn's icy
moon. Dragonfly will launch in 2026 and arrive in 2034. The
rotorcraft will fly to dozens of promising locations on Titan
looking for prebiotic chemical processes common on both Titan and
Earth. Dragonfly marks the first time NASA will fly a multi-rotor
vehicle for science on another planet; it has eight rotors and
flies like a large drone. It will take advantage of Titan's dense
atmosphere--four times denser than Earth's--to become the first
vehicle ever to fly its entire science payload to new places for
repeatable and targeted access to surface materials.
*https://www.nasa.gov/press-release/nasas-dragonfly-will-fly
https://www.nasa.gov/press-release/nasas-dragonfly-will-fly*-
around-titan-looking-for-origins-signs-of-life
[-gf]
===================================================================
TOPIC: People of Color (letters of comment by Fred Lerner, Kevin R,
Scott Dorsey, Dorothy J. Heydt, and Gary McGath)
In response to Evelyn's comments on LOST HORIZON in the 04/16/21
issue of the MT VOID, Fred Lerner writes:
You called Jesus "another person of color". Why? [-fl]
Kevin R also asks:
A first century, Common Era Jew in Roman Palestine is a "person of
color?" Does "olive-skinned" translate into "POC?" Greeks,
Italians, Spaniards are POC, " then?
Mind you, I don't think Y-b-Y was divine, if he even existed. But
imposing 21st century identity politics on that era seems odd.
Anyone from that part of the world would be a lot less pink than my
Irish-descended tuches, and nobody really knows how "white" or
"brown" he would have been. A member of an ethnicity that had
little or no power? Sure, but so were my freckled ancestors.
[-kr]
Scott Dorsey asks:
Why not? My grandfather complained he wasn't allowed to move into
Shadyside in Pittsburgh because they didn't allow Italians. [-sd]
And Dorothy J. Heydt notes:
There are some Northern Europeans (or their descendants) who seem
to think so. When Southern Europeans (Italians, etc.) started
coming to the US, there were many complaints.
Of course, your Irish ancestors got the same treatment with knobs
on. [-djh]
Kevin responds:
Some of the race-theory-mongers would have it that you could
sunburn on a rainy day, you still weren't "white" until you
were assimilated by the power structure. See:
*https://en.wikipedia.org/wiki/Noel_Ignatiev
https://en.wikipedia.org/wiki/Noel_Ignatiev*
*https://www.publishersweekly.com/978-0-415-91384-3
https://www.publishersweekly.com/978-0-415-91384-3*
"Race is only a cultural construct..." and all that.
By the "Italians aren't white.." because they were poor immigrants
who tanned, what did that make the Romans who were supposed to have
executed "non-white Jesus?" [-kr]
Gary McGath suggests:
The retcon that all ethnic conflict and discrimination is and has
always been based on skin color lacks historical support. The
notion of "race" as genetically distinct subcategories of the human
species didn't gain currency until the eighteenth or nineteenth
century.
The great dividers throughout history have been the interrelated
factors of culture, religion, country, and language. It comes from
the earliest times, when you could trust people from your village
but found it best to assume strangers were enemies.
The arrival of southern Europeans got a hostile reception largely
because they were heavily Catholic. Likewise for the Irish. It
wasn't because of their red hair or whatever.
Luther hated the Jews, but it was a matter of religion for him, not
an imagined difference in skin shade. If they converted, all was
forgiven (literally). [-gmg]
Evelyn responds:
In response to the initial question:
Because in the circles I travel in (including during my work
years), "people of color" includes those of Middle Eastern
heritage (extending from Egypt and Arabia to Iran), and when movies
have white actors playing (e.g.) Moses, that gets called out as
white-washing. I realize that the census definitions disagree, but
I call 'em like I sees 'em (to quote an old phrase). YMMV. [-ecl]
===================================================================
TOPIC: LOST HORIZON and Rapid Aging (letters of comment by Gary
McGath, Scott Dorsey, Dorothyt J. Heydt, Kevin R, and Tim
Merrigan)
In response to Evelyn's comments on LOST HORIZON and rapid aging in
the 04/16/21 issue of the MT VOID, Gary McGath writes:
It's a pretty common plot device, though. There's a "Twilight
Zone" episode where a man gives up his immortality and is a pile of
dust within a couple of minutes. In the Karloff version of THE
MUMMY, the same happens to Imhotep when the scroll that revived him
is destroyed. [-gmg]
Scott Dorsey adds:
I think the absolute best example is in the Mexican horror film
THE WITCH'S MIRROR. [-sd]
Dorothy J. Heydt asks:
Care to spoiler it a bit? Googling did not reveal any site that
had anything to say about the plot, let about how it use the
common plot device. [-djh]
Kevin R responds:
The fate of "Black Adam" in MARVEL FAMILY #1 (1945).
*https://www.comics.org/issue/4708/cover/4/
https://www.comics.org/issue/4708/cover/4/*
[-kr]
And Tim Merrigan explains:
It's a plot device that predates film. In THE PICTURE OF DORIAN
GRAY, when the painting is destroyed/Dorian Gray dies, all the
deformities, some representing character flaws that wouldn't have
normally manifested physically, leave the painting and appear on
Mr. Gray's body. [-tm]
Evelyn adds:
My point was that while most of the novel/movie was something that
one *might* accept as possible--after all, there seemed to be
claims of Abkhazians having exception longevity--the rapid aging on
leaving the valley tipped the whole thing into the
supernatural/fantastical in an unexpected turn. (These longevity
claims have since been pretty much discounted since then.) [-ecl]
===================================================================
TOPIC: This Week's Reading (book and film comments by Evelyn
C. Leeper)
Last week we published the list of Hugo Award finalists. This week
I will make some general comments on them.
Last year was atypical, not just for Dramatic Presentation (Long
Form), but for most everything. The Hugo finalists reflect this,
and general strangeness in addition. And it is not just that I no
longer recognize most of the names on the ballot.
For example, the "Video Game" category apparently requires at least
two different types of equipment to play all of them, which
presumably is what is desired, given that voting a preferential
ballot is extremely problematic unless the voter is familiar with
all the candidates.
It took only ten nominations to make the ballot for Fan Artist.
Even given the low nominator base (1249 ballots), that makes one
ask if this category is still a viable one, especially since it is
always the category with the fewest nominations.
The semiprozine STRANGE HORIZONS listed 87 editors or contributors
or *something*, which resulted in the de-alphabetization of that
category, since listing the finalists in alphabetical order would
put UNCANNY MAGAZINE (itself listing six people) after a 25-line
entry for STRANGE HORIZONS, and undoubtedly result in many people
overlooking it entirely.
Normally I would have seen all the Dramatic Presentation (Long
Form) finalists, or at least been familiar with them. However,
2020 was not a normal year, and I have seen only three (THE OLD
GUARD, PALM SPRINGS and TENET), had a fourth on my Netflix queue
(SOUL), and am totally unfamiliar with the other two (BIRDS OF PREY
[AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN], and
EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA). But the latter
two are now on my Netflix queue and streaming list respectively.
As for Best Dramatic Presentation (Short Form), as usual I have not
followed most of the series represented.
The "Best Novella" category was swept by Tor.com (a.k.a. Tor). Tor
has been the one major publisher to go in for novella-length books
(basically under 200 pages). Others, such as PS Publishing and
Subterranean Press, are also players in this niche, but with much
smaller press runs--and higher prices.
In the weeks (months) to come, I will be reviewing the short story
and novelette finalists (all of which are available on-line; see
*http://file770.com/where-to-find-the-2021-hugo-award-finalists
http://file770.com/where-to-find-the-2021-hugo-award-finalists*-
for-free-online/), the novella and Lodestar YA finalists if I can
get them from the library, and the Dramatic Presentation (Long
Form) finalists. (The voting deadline is not until November 19, so
I hope my library system will resume inter-library loans so that I
can get the two novellas my local library doesn't have in time to
finish my reviews before voting ends.)
So I will be starting with the short stories and novelettes, then
the dramatic presentation (long form) (the one I have to wait for
here is SOUL) and novellas, and then the Lodestar.
The good news (sort of) is that there are no Retro Hugos this year.
[-ecl]
===================================================================
Mark Leeper
*mleeper@optonline.net *
He has all the virtues I dislike and none of
the vices I admire.
--Sir Winston Churchill